Showing posts with label Fela. Show all posts
Showing posts with label Fela. Show all posts

Wednesday, July 11, 2012

In language class with Femi Kuti

Femi Kuti speaking to Lolade: Photo by Wale Falola


I have had some interesting interactions with musicians over the course of my journalism career but this one with Afrobeat star Femi Kuti trumps all. During my recent interview with him following his third Grammy Awards nomination, we talked about the concept of ‘knowing’. He made a point about the fact that I couldn’t have known his father Fela which I responded in the affirmative. Then he went on to lecture me about the rudiments of English grammar. And the following argument ensued: 

Femi Kuti: How old are you?
Lolade Adewuyi: 31
FK: You couldn’t have known Fela.
LA: Well I knew him even though I didn’t grow up in Lagos.
FK: You knew him; you don’t even speak English well. Knew? How did you know him? You met him? Knew means you must have met him, you’re familiar. Knew him in terms of you have heard his album, abi?
LA: Before he died. I grew up with my dad playing his songs.
FK: So from your dad is how you got to know his music.
LA: Yes.
FK: Even before he died, you were not privileged to even come to Lagos to watch him perform. Patapata [at most] you would have seen him on TV and the footage they have of Fela on TV is when he was old, over 50.
LA: No that was Egypt 80 performing in, was it that Egypt show?
FK: He never performed in Egypt, either Berlin.
LA: There was a big show. It was really the biggest I’ve seen.
FK: Where?
LA: I can’t remember the city, but it was really big and I saw it on Ondo State TV because I grew up in Akure.
FK: You have to tell me because they don’t have much footage of my father when he was young, except you Google him now. There is some footage that people are putting on the internet when he was in his 30s, when he was at his peak.
LA: I think he was in his 40s in this video.
FK: You still did not “knew” the man.
LA: But I’ve read his biographies.
FK: It’s like me saying that I know Kwame Nkrumah. I’ve read his book, I’ve read his philosophies.
LA: You don’t have to meet someone before you know them.
FK: It’s good to still meet, you have met me now; you can tell another generation that you met me. It says a lot in 20 years time when, if I’m still alive or dead, that you have met me than to know or read about me.
LA: Yes, true.
FK: So “knew”, I’m only going about the English you’re speaking, “knew” is different. You do not know the man; you have heard about him, you have read about him...
LA: Stop trying to intimidate me!
(Laughter)
FK: I’m not trying to intimidate you, I’m trying to make you understand the English that we’re speaking as African people is such a problem and a burden on our lives that if we don’t understand what we’re writing, when a journalist takes his pen and writes that Femi Kuti is mad, it’s a big deal because 100,000 people will read, and they will tell their friends and then Femi does not have the power to counter that story or fight back this journalist, or journalists.

Needless to say, I left that interview a whole lot wiser and became a friend of Femi Kuti. The interview that was scheduled for an hour ran into almost two hours as we exchanged banters. Perhaps like Femi said, I can tell my children that I met him, therefore I know him. However, since I enjoy Fela’s music and identify with some of his messages, having interviewed his sons, read his story and philosophy, I would like to maintain that I KNOW him. Jesus Christ said, blessed are those who have not seen, yet believed. I have researched enough to assume a level of knowledge that many people who met him physically can say about knowing him. I do believe that I know Fela. After all, he’s no longer a man but a concept.     

A more 'serious-minded' part of the interview was published in TELL last week

Monday, October 17, 2011

Felabration 2011: Fela's Children

A young man raises a clenched fist in honour of Fela at the end of an Afrobeat performance at the Afrika Shrine during Felabration 2011
Friday night is usually the biggest of all the performances during the annual weeklong Felabration. Extremely long queues of people trying to get into the Afrika Shrine can be seen all over as the crowd press into each other. However, order is maintained by the aptly named green-shirted Shrine Police that keep everyone in check with their whips and clubs and sometimes a machete or two. It's not as rowdy as it may sound. 

So struggling to get inside with my media pass, I tried to document the crowd and their loyalty to the genre created by the genius that Fela Kuti was. I have decided to call this post Fela's Children because no matter how long that it seems the legend has been dead, he still possesses a huge following of young men and women (some who were toddlers when he died and many not even born). Such is the power of Afrobeat that it will grow continuously for a long time. 

 Felabration 2011 has come and gone. Like Gabriel Okara wrote in his poem The Fisherman's Invocation, "the celebration is now ended, the drums lay quiet, silent, waiting" for another year.  

Faces of young men in crowd during Felabration 2011 
Cross section of the audience at the Afrika Shrine during Felabration 2011
Security guards frisk a man on the long queue to enter the Afrika Shrine during Felabration 2011

Sunday, May 22, 2011

Duro Ikujenyo and the Age of Aquarius

Fela disciple Duro Ikujenyo (playing the keyboard) and his band the Age of Aquarius perform every month in Ikoyi, a wealthy suburb of Lagos. His performances are a mix of jazz, highlife and Afrobeat. Come, sit down and listen to good quality music away from the hustle and bustle of the city. And you might also run into international recording stars like Keziah Jones in the audience.

Saturday, October 16, 2010

Fela's Shrine


Located inside the Afrika Shrine is a grove dedicated to Fela himself. Hanging is the prototype shirt he wore during his playing days. Also dedicated to him are his saxophone and statues of some of the deities he worshiped. Incense is regularly burnt at his altar by minders of the shrine as the man in this photo is doing.

Even in death, Fela is still an enigma. He is Africa's Elvis, Bob Marley and John Lennon all rolled into one. Like Graceland, fans of Afrobeat flock to the Afrika Shrine every night to bask in the splendour of the music while they revel in the unfettered opportunity to indulge in weed smoking.

The Afrika Shrine is a bohemian paradise in its full glory.

Wednesday, October 13, 2010

The New Afrika Shrine















Located in the Ikeja central business district, the New Afrika Shrine is the commune where Afrobeat music lives. Patterned after Fela's original Afrika Shrine, it is a meeting place for progressives and music groupies.

American rapper Mos Def once described Fela thus: "Fela Anikulapo-Kuti was James Brown, Huey Newton, Rick James, Bob Marley, Duke Ellington, and ODB all rolled up in one black African fist..."

Tuesday, October 12, 2010

Femi Kuti at Felabration 2010


Afrobeat star Femi Kuti speaking at the Felabration 2010 Fela Debates at the Afrika Shrine in lagos. His father Fela was the iconic creator of Afrobeat and Femi has taken the music a notch higher. He has been twice nominated for the Grammy Awards.